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Folk Dances in Karnataka

Most folk dances owe their existence to religion and are performed during fairs, festivals and other religious occasions celebrated by a local communities.

The dances like 'Nandi Dhwaja', 'Lingada-Berana', Gorava dance, Veeragase, Beesu Kamsale and Puravanthike are dedicated to the worship of Lord Shiva.

Bhagawanthike, Pata Kunitha and Bana Devara Kunitha are dances performed to worship Lord Vishnu.

Mariammana Kunitha, Urimarammana Kunitha, Puja, Karaga, Dollu, Soman Kunitha, Harige, Sedere, Bhoota Nrutya, Naga Nrutya, Vatte Kola, Kombat and Billat are being performed to worship all incarnations of 'Shakti', the deity of power.

The dance performance in Nandi Dhwaja consist of an attractively decorated bamboo pole measuring about 20 to 25 feet long and 4 inch wide in circumference. Nandi Dhwaja is performed by skilled and experienced dancers. The performance begins with the erection of the Nandi pole which is initially thrust into a 'Navara'-the pouch worn by the performer. Balancing the pole at 90o , the dancer accomplishes rhythmic movements and intricate acrobats to the emotional tunes of the musical accompaniments. This dance is prevalent in all parts of the state except Kodagu.

The artistes of Beesu Kamsale are an expert singing community. But vigorous, rhythmic movements dominate the performance of Beesu Kamsale. Narration is regulated to the background.

In Pata Kunitha, the major emphasis is more on the manipulation of pata (embellished bamboo pole, each measuring 10 to 15 feet high, carried by 10 to 15 artistes) than the narration. The dances Beesu Kamsale and Pata are widely popular in Mysore region.

In Bana Devara Kunitha, the folk artistes will be preoccupied with attaining perfect harmony to the clinking of bow bells rather than on oral communication of any religious content. The striking feature of this dance is archery. This form of dance is found in places like Hassan, Chitradurga and Chikkamagulur.

In Puja Kunitha dance, the emphasis is more on the visual presentation than the oral narration. Here the spectacular exhibition of colourful bamboo structure is ably matched by the skilful body movements. It is prevalent in Bangalore and Mandya districts.

Karaga is known for its rigidity with high ritualistic significance. It is popular in Mysore and Bangalore districts.

In Sedere dance, the performance in an emotion charged atmosphere. Any communication through music gets drowned in the din of the thunderous sound of musical instruments amidst fast paced virile performance. Sedere is performed by scheduled castes and washer men in some parts of Bangalore and Hassan districts.

In Gorava mela which is extensively practiced in Mysore, Shimoga, Belgaum and Dharwad districts, the artistes display immense abilities of oral communication and perception. Goravas are singing tribe who narrates stories of deeper religious value
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